I don't normally shoot in log... but that'll be changing. It feels pretty weird overexposing a shot on purpose, not being able to see normal colors and constantly thinking, "shit, am I blowing that sky out? It sure looks that way." Histogram = best friend, absolutely essential. I'm guessing it's a trust/comfort thing though... the more you do it, the easier it gets. Editing and massaging the d-log files takes a bit longer, but man... the flexibility and latitude during post is really worth the extra effort, in my opinion. I briefly screwed around with some LUTs, but it seemed like using Lumetri Color with some RGB curves in Premiere gave me decent enough results.
Shot with the Olympus 12mm and 45mm on the DJI X5S in ProRes @ 422HQ.